Usually, I preface my end-of-the-year list—call it the Best of 2022, if you will—with some sort of capsule overview of the last year. I'm not quite up for that this year for a variety of reasons, including how the year has seemed nebulous, at least from my vantage. Several albums ate up oxygen throughout the year—the Beyonces, Taylors, and Alvvays of the world, maybe Wet Leg and Spoon too—and they also occupy considerable space on the various year-end lists but they do not dominate. Read enough year-end lists and the constant shifting presence of the same familiar titles gives the impression of a faint consensus: one staff falls for the charms of the Smile, another rallies for Black Country, New Road, and so on and so forth.Â
A few of these albums pop up on my EOTY list, so I'm not sure how idiosyncratic it actually is. I'm not especially bothered by thist—why should I be if it's a reflection of my own personal taste? I did find some old favorites delivered strongly for me this year: Suede had their richest, rawest record in eons, Miranda Lambert fused Wildcard and The Weight of These Wings, Elvis Costello conjured the ghost of the Attractions without succumbing to nostalgia. I was charmed by the dreamy garage-pop of Breanna Barbara and the wry storytelling of Aaron Raitiere, thought Easy Eye Sound's salute to John Anderson is one of the best tribute albums I ever heard and I still can't believe that Gilbert O'Sullivan makes better albums now than he did back in the glory days of "Alone Again (Naturally)."
This year, I shamessly lifted the category "Subjects for Further Research" from Robert Christgau, using it as a way to classify albums I either didn't hear or didn't hear enough to get a good read on my own opinion. After that, there are a handful of artists who simply are not my thing: I can understand why others may did them but there's something that keeps me at a distance.Â
Joshua Headley—Neon Blue
Suede—Autofiction
Miranda Lambert—Palomino
Elvis Costello & the Imposters—The Boy Named If
Aaron Raitiere—Single Wide Dreamer
Spoon—Lucifer on the Sofa
Wet Leg—Wet Leg
Charley Crockett—The Man from Waco
Weyes Blood—And in the Darkness, Hearts Aglow
Neil Young & Crazy Horse—World Record
Ashley McBryde—Presents Lindeville
Breanna Barbara—Nothin' But Time
Charli XCX—Crash
Something Borrowed, Something New: A Tribute to John Anderson
Courtney Marie Andrews—Loose Future
Eli Paperboy Reed—Down Every Road: Eli Paperboy Reed Sings Merle Haggard
Wilco—Cruel Country
The Beths—Expert in a Dying Field
Amanda Shires—Take It Like A Man
Willie Nelson—A Beautiful Time
Jon Pardi—Mr. Saturday Night
Jack White—Entering Heaven Alive
Beyonce—Renaissance
Taylor Swift—Midnights
Gilbert O'Sullivan—Driven
The Cactus Blossoms—One Day
Sharon Van Etten—We've Been Going About This All Wrong
Tyler Childers—Can I Take My Hounds to Heaven?
Alvvays—Blue Rev
Bill Callahan—YTILAER
Soccer Mommy—Sometimes, Forever
Makaya McCraven—In These Times
Nikki Lane—Denim & Diamonds
The Regrettes—Further Joy
Sunflower Bean—Headful of Sugar
Miko Marks—Feel Like Going Home
Jack White—Fear of the Dawn
Dry Cleaning—Stumpwork
Lainey Wilson—Bell Bottom Country
Eddie Vedder—Earthling
Lizzo—Special
Elvis Costello & Rust—The Resurrection of Rust
Ingrid Andress—Good Person
Urge Overkill—Oui
Ty Segall—Hello Hi
Bobby Weir & Wolf Bros—Live in Colorado
Todd Rundgren—Space Force
Old Crow Medicine Show—Paint This Town
Walker Hayes—Country Stuff: The Album
The Claudettes—The Claudettes Go Out!
The Black Keys—Dropout Boogie
Kelsea Ballerini—Subject to Change
Megan Thee Stallion—Traumazine
Watkins Family Hour—Watkins Family Hour, Vol. 2
Lyle Lovett—12th of July
Lera Lynn—Something More Than Love
Midland—The Last Resort: Greetings From
Liam Gallagher—C'mon You Know
The Deslondes—Ways & Means
Father John Misty—Chloe And the Next 20th Century
Bruce Hornsby—'Flicted
Maren Morris—Humble Quest
Hurray for the Riff Raff—Life on Earth
The Comet is Coming—Hyper-Dimensional Expansion Beam
Cass McCombs—Heartmind
Spiral Stairs—Medley Attack!!
Andrew Bird—Inside Problems
Pixies—Doggerell
Paul Cauthen—Country Coming Down
Def Leppard—Diamond Star Halos
Mandy Moore—In Real Life
Early James—What A Strange Time to Be Alive
Madeline Edwards—Crashlanded
Zach Bryan—American Heartbreak
SUBJECTS FOR FURTHER RESEARCH
Bjork—Fossora
Black Country, New Road—Ants from Up There
The Delines—The Sea Drift
Drive-By Truckers—Welcome 2 Club ZXiii
Brian Eno—Forever and Ever No More
Craig Finn—A Legacy of Rentals
FKA Twigs—Caprisongs
Fontaines DC—Skinty Fia
SG Goodman—Teeth Marks
Robyn Hitchcock—Shufflemania!
Kendrick Lamar—Mr. Morale and the Big Steppers
Cate Le Bon—Pompeii
Tove Lo—Dirt Femme
The 1975—Being Funny in a Foreign Language
Angel Olsen—Big Time
Beth Orton—Weather Alive
Rolling Blackouts Coastal Fever—Endless Rooms
Rosalia—Motomami
Caitlyn Rose—Cazimi
Sault
The Smile—A Light for Attracting Attention
Harry Styles—Harry's House
Weezer—Seasonal EPs
Yeah Yeah Yeahs—Cool It Down
NOT MY BAG
Big Thief
MJ Lenderman
Mitski
The Weeknd
Tom, I don't know if I've even heard *of* Alvvays, a fact that I find hilarious. It's also indicative of something, though nothing that hasn't been going on for at least 45 years. But actually I have a description of the "something" that is somewhat uncommon (the description, that is, not the something): As the world overall gets more cosmopolitan it overall gets more similar, but we experience this locally as in increase in diversity, disparateness, fragmentation, and a decrease in similarity, "consensus" (scare quotes around the word "consensus" because I don't think the word should be used for "a low-level plurality"), unity. So I have way more in common with a kid from a favela or a student in Korea than I would have 52 years ago when I was sixteen, but the fact that I have more access to the worlds of the favela and of the Korean student, and that those worlds start to penetrate mine, makes me feel (even) less typical and on homeground than I did back then.
One of my favorite songs of the year is "Os Ratos Da Favela," credited to several performers (Zoi De Gato, Marlinho RDC, Laryssa Real). Laryssa Real may be my favorite vocalist in the world; she's appeared on at least 150 tracks in the last several years but afaik has made no albums, and she may never have appeared with the *exact* same set of people twice, though I'm sure there's a lot of overlap. None of this comes close to explaining why I've *heard* fewer albums than you've listed on your best-of, but it's indicative of... something. Anyway, will give Joshua Headley a shot; see if he makes me feel less or more outside of everything.
Miranda Lambert's "Actin' Up" is one of my favorite album tracks of the year, but the album overall hasn't hit me - but that may only be because there's overwhelmingly so much else to listen to that I haven't given it much attention.
Xgau lifted "Subjects For Further Research" from Andrew Sarris; for all I know, Sarris lifted it from Lady Godiva's horse.
Good luck, and keep keepin' on.
Frank Kogan